Sunday, April 15, 2007
The game
Early life
Jayceon Taylor was born to an African American mother, Lynette Baker, and his father George Taylor, who is of Spanish and Native American descent, in Los Angeles, California in 1979. He spent the earliest years of his life in the district of La Brea before his family moved to Compton, California when he was four years old.[1] After his older sister accused his father of sexual molestation[7] when Taylor was five, his family was split up and young Taylor lived with a foster family for eight years in Carson, a suburb of Los Angeles (located immediately southwest of Compton). When Taylor was 13 his mother was regranted custody and he was reunited with his family in Compton. He spent his later life living in a primarily Crip gang neighborhood known as Santana Blocc,[8] although the rapper would grow up to become a member of the Bloods.[9] Taylor claims that his mother and father were both affiliated with Crip gangs. After graduating from Compton High School,[10] Taylor had a short stint at Washington State University on a basketball scholarship. However, he was kicked out in his first semester because of drug allegations.[11] It was then that he started fully embracing street life and turning towards selling drugs.[12] At the age of 18 he began to follow his older half brother "Big Fase 100", who was the leader of the Cedar Block Pirus. Taylor was shot five times after a failed drug deal in 2001,[10] receiving bullet wounds to the heart, stomach, and arms. This attack put him in a three day coma and while recovering in the hospital, he decided to pursue a career in the rap industry.
Early career
Studying various influential rap albums, The Game developed a strategy to become a rapper himself, and with help from Big Fase they founded The Black Wall Street Records. The label originally featured such artists as Glasses Malone, Vita, and Nu Jerzey Devil, along with The Game himself. The rapper's stage name was coined by his grandmother, who gave him the nickname because she claimed he was always "Game" for anything. The Game first gained prominence when he attended a hip-hop summit hosted by Russell Simmons and Louis Farrakhan,[13] releasing his first mixtape named You Know What It Is Vol. 1 in 2002, followed by a record deal with the independent label, Get Low Recordz owned by JT the Bigga Figga. Originally Sean Combs of Bad Boy Records was going to sign him to his label,[14] but Game's mixtape found its way into the hands of famed producer Dr. Dre, who proceeded to sign him to Aftermath Entertainment. To capitalize on the growing buzz, The Game continued to release music. In October, 2004 The Game released his first album Untold Story through Get Low Recordz, which managed to sell over 82,000 copies within its first 3 months.[15] The album featured artists like Sean T, Young Noble (of the Outlawz), and JT the Bigga Figga.[16] The Game also appeared on various mixtapes hosted by DJ's such as DJ Kayslay, DJ Whoo Kid, and DJ Clue. The Game also released a second mixtape You Know What It Is Vol. 2 through his own record label, and appeared on the video game NBA Live 2004 on a song produced by Fredwreck called "Can't Stop Me".[17]
The Game has one child, a son named Harlem Caron Taylor, who was born on June 30, 2003. Baron Davis, a basketball team mate in high school,[12] and current NBA all-star was named Harlem's godfather.[26] The Los Angeles Times reported that as of 2006 The Game is a resident of Glendale, California after having purchased a home in the Kenneth Village neighborhood. The Game announced that he was engaged to actress/model Valeisha Butterfield, the daughter of U.S. Congressman G. K. Butterfield. The couple were set to marry in March 2007, but the engagement was called off in June 2006.[27] In February 2007, The Game revealed in an interview with Mistah F.A.B. on radio station Wild 94.9 that he was expecting his second child in April, with former substitute teacher Tiffany Webb.[28]
A.S.Roma
Foundation
A.S. Roma was founded in July 1927. At the time, the city of Rome had several teams in the Italian football league: S.S. Lazio (1900)[1], Roman F.C. (1901[citations needed]), S.S. Alba-Audace Roma (founded in 1926 through the merger of Alba (1911) and Audace) and Fortitudo-Pro Roma S.G.S. (founded in 1926 through the merger of Fortitudo (1908) and Pro Roma (1912)), however most of them were weak financially and uncompetitive. Spurned on by the government's desire for each Italian city to be represented by one major club (as was done in Florence, Naples and Bari), Alba-Audace, Fortitudo-Pro Roma and Roman merged to form A.S. Roma. After a short use of the Motovelodromo Appio stadium, the yellow-red team settled in the working-class streets of Testaccio, where it built the extraordinary all-wooden homonym ground. The area still remains the club's spiritual heartland. On the other hand Lazio, which was the strongest club in that period and which had the most to lose from a merger, refused to partake in any discussions regarding this issue and remained tied to the city bourgeoisie, from where it had been born. Other grounds that have been used by the A.S. Roma team are: Stadio Flaminio and Stadio Olimpico (the latter was built in 1952).
AS Roma took part in their first national league in the 1929-30 season and won their first Scudetto in 1941-42. The second one was won in the 1982-83 season and the third in 2000-01. They were runners-up in 1930-31, 1935-36, 1980-81, 1983-84, 1985-86, 2001-02, 2003-04 and 2005-06 (due to match-fixing scandal). They were relegated only once, at the end of the 1950-51 season, returning to Serie A the next season.
[edit] 1950s to 1970s
After returning to Serie A in 1952, Roma spent the remainder 1950s and early 1960s in the top half of Serie A. From 1963 to 1979 AS Roma endured a period of mediocrity with 3rd place in 1974-75 being the best they could manage, punctured by either mid-table mediocrity or flirtation with relegation. Notable players in this period include defender Giacomo Losi and midfielders Franco Cordova and Giancarlo De Sisti.
[edit] 1980s and onwards
Roberto Pruzzo was Roma's most effective striker in the 1980s.With talented players including Bruno Conti, Agostino Di Bartolomei, Roberto Pruzzo and Falcao, Roma would begin the 1980s in its best position to challenge for the title since 1942. After narrowly (and controversially) missing out in 1981 to Juventus, they broke through in 1983 amidst joyous celebrations in the capital. They reached the European Cup final the following year, only to lose to Liverpool on penalties. In the 1990-1991 season, Roma reached the UEFA Cup final in which they lost to Inter Milan 2-1 on aggregate.
They have more or less remained in the top half of Serie A ever since, occasionally mounting a serious challenge for the title, which they won again in the 2000/2001 season by beating Parma 3-1 on the last day of the season, edging out Juventus by two points.
Francesco Totti was one of the main reasons for Roma's victory that season and has since become an icon of the club equal in status to Pruzzo and Conti before him. He is a hero to Roma supporters, even more today thanks to Italy's 2006 FIFA World Cup success. Since then Totti has become Roma's top scorer beating Pruzzo's previous tally of 106 goals.
Roma came close to a successful defense of their title, but lost out as another title race with Juve went to the wire. They missed out by just one point and had to settle for second place and an automatic UEFA Champions League spot. Since they won the scudetto Roma have finished second every season in either the Serie A or the Coppa Italia. They lost out to AC Milan in the Coppa Italia final in the 2002-2003 season (losing 4-2 on aggregate), and again in the Serie A in the 2003-2004 season where they finished second.
2004-2005 was an abysmal campaign where Roma flirted with relegation before finishing in 8th place. They managed to secure a UEFA Cup spot by reaching the Coppa Italia final which they lost to Inter Milan 3-0 on aggregate. Their Champions League campaign was even worse as they only managed 1 point from 6 games before finishing last in their group. Their first game was a 3-0 victory for Dynamo Kiev as they got penalized because an object from the stands hit the referee. The match was called off, victory was given to the Ukrainian outfit, and Roma had to play 2 home games behind closed doors. Their only point came from the 1-1 draw at home with Bayer Leverkusen thanks to a late goal by Vincenzo Montella.
AS Roma also made to the final of the 2005/06 Coppa Italia to face Inter Milan. They drew the First leg 1-1 but lost the return leg 3-1, losing 4-2 on aggregate. This was the second year in a row they lost to Inter Milan in the Coppa Italia final.
AS Roma beat Olympique Lyonnais to reach the quarter finals of the Champions League in 2007, but after taking a 2-1 lead over Manchester United at home and being undefeated in 10 games in all competitions, they suffered a 7-1 defeat in the second leg at Old Trafford (8-3 on aggregate). This was their first defeat in Europe since losing 1-0 to Shakhtar Donetsk in the group stage. It was also the biggest margin of victory in a quarter final match of either the European Cup or Champions League, since 1957-58, when Real Madrid beat Sevilla 8-0 (10-2 on aggregate).
The team remains in line to finish the season as runners-up in Serie-A to Inter Milan. The two clubs also face each other in the final of the Coppa Italia.
[edit] Supporters
The club plays at the 82,656 seater Stadio Olimpico, shared with S.S. Lazio. The two teams play twice a season in the Rome derby, a fiery, emotional match often marked with tension and occasional crowd trouble in and around the stadium. Two extreme incidents in particular have left their mark on the history of this fixture. In 1979, Lazio fan Vincenzo Paparelli was hit in the eye and killed by a flare fired by a Roma fan from the opposite end of the stadium (becoming the first fatality in Italian football history), and in 2003 an unprecedented event occurred when the Roma Ultras forced the game to be suspended after spreading false rumours among the crowd present that a child had been killed by the police prior to the beginning of the game.
Roma's principal ultras group until the middle of the 1990s was the left-leaning CUCS (Comando Ultrà Curva Sud). However the group was slowly usurped by rival factions and ultimately broke up. The Curva Sud has been controlled since then by various groups which lean markedly to the right (AS Roma Ultras, Boys, Giovinezza, etc.) This change is comparable to what had happened a few years earlier at neighbors Lazio when the a-political "Eagles Supporters" were purged by the far right "Irriducibili", who on the other hand, have enjoyed complete control of the Curva Nord since 1992. It is worth bearing in mind that in both team's cases the political leanings of the actual groups, though more likely to generate media attention, is usually not their raison d'etre and more just a part of their overall identity.
Supporter's anthem "Roma Roma" written by Antonello Venditti is played before each match, and "Grazie Roma", by the same singer, is played at the end of home games when the team wins.
Monday, March 19, 2007
Paolo Maldini
Paolo Maldini (born June 26, 1968 in Milan) is an Italian football player.
He is the son of Cesare Maldini, former player of A.C. Milan and ex-coach of the Italian national football team. Maldini plays as a defender and predominantly plays the position of left back although he sometimes plays at centre back, his original position in the team. Throughout his long career, he has remained a one club man with A.C. Milan, where he holds the current captaincy, and has currently made the most appearances for the club (as well as any player in Serie A) after having passed Franco Baresi's record of 512.
Maldini is widely regarded as one of the greatest defenders to have ever played the game, and was arguably the best at the peak of his career. He is well known for his influential captaincy, ice-cool temperament, his outstanding ability to play with both feet and flawless defending. He is still playing at the very highest level, which is confirmed by his inclusion in the FIFPro World XI in 2005, his nomination to the UEFA Champions League 2004-2005 most valuable defender title, second place in Golden Foot nominations in 2005, and a top-ten finish in the voting for the 2005 FIFA World Player of the Year.
He is the son of Cesare Maldini, former player of A.C. Milan and ex-coach of the Italian national football team. Maldini plays as a defender and predominantly plays the position of left back although he sometimes plays at centre back, his original position in the team. Throughout his long career, he has remained a one club man with A.C. Milan, where he holds the current captaincy, and has currently made the most appearances for the club (as well as any player in Serie A) after having passed Franco Baresi's record of 512.
Maldini is widely regarded as one of the greatest defenders to have ever played the game, and was arguably the best at the peak of his career. He is well known for his influential captaincy, ice-cool temperament, his outstanding ability to play with both feet and flawless defending. He is still playing at the very highest level, which is confirmed by his inclusion in the FIFPro World XI in 2005, his nomination to the UEFA Champions League 2004-2005 most valuable defender title, second place in Golden Foot nominations in 2005, and a top-ten finish in the voting for the 2005 FIFA World Player of the Year.
Metallica
Metallica was easily the best, most influential heavy metal band of the '80s, responsible for bringing the music back to Earth. Instead of playing the usual rock star games of metal stars of the early '80s, the band looked and talked like they were from the street. Metallica expanded the limits of thrash, using speed and volume not for their own sake, but to enhance their intricately structured compositions. The release of 1983's Kill 'Em All marked the beginning of the legitimization of heavy metal's underground, bringing new complexity and depth to thrash metal. With each album, the band's playing and writing improved; James Hetfield developed a signature rhythm playing that matched his growl, while lead guitarist Kirk Hammett became one of the most copied guitarists in metal. Lars Ulrich's thunderous, yet complex, drumming clicked in perfectly with Cliff Burton's innovative bass playing. After releasing their masterpiece Master of Puppets in 1986, tragedy struck the band when their tour bus crashed while traveling in Sweden, killing Burton. When the band decided to continue, Jason Newsted was chosen to replace Burton; two years later, the band released the conceptually ambitious ...And Justice for All, which hit the Top Ten without any radio play and very little support from MTV. But Metallica completely crossed over into the mainstream with 1991's Metallica, which found the band trading in their long compositions for more concise song structures; it resulted in a number one album that sold over seven million copies in the U.S. alone. The band launched a long, long tour which kept them on the road for nearly two years. By the '90s, Metallica had changed the rules for all heavy metal bands; they were the leaders of the genre, respected not only by headbangers, but by mainstream record buyers and critics. No other heavy metal band has ever been able to pull off such a trick. However, the group lost some members of their core audience with their long-awaited follow-up to Metallica, 1996's Load. For Load, the band decided to move toward alternative rock in terms of image -- they cut their hair and had their picture taken by Anton Corbijn. Although the album was a hit upon its summer release -- entering the charts at number one and selling three million copies within two months -- certain members of their audience complained about the shift in image, as well as the group's decision to headline the sixth Lollapalooza. Re-Load, which combined new material with songs left off of the Load record, appeared in 1997; despite poor reviews, it sold at a typically brisk pace through the next year. Garage Inc., a double-disc collection of B-sides, rarities, and newly recorded covers, followed in 1998. In 1999, Metallica continued their flood of product with S&M, documenting a live concert with the San Francisco Symphony; it debuted at number two, reconfirming their immense popularity.
The band spent most of 2000 embroiled in controversy by spearheading a legal assault on Napster, a file-sharing service that allowed users to download music files from each other's computers. Aggressively targeting copyright infringement of their own material, the band notoriously had over 300,000 users kicked off the service, creating a widespread debate over the availability of digital music that raged for most of the year. In January 2001, bassist Jason Newsted announced his amicable departure from the band. Shortly after the band appeared at the ESPN awards in April of the same year, Hetfield, Hammett, and Ulrich entered the recording studio to begin work on their next album, with producer Bob Rock lined up to handle bass duties for the sessions (with rumors of former Ozzy Osbourne/Alice in Chains bassist Mike Inez being considered for the vacated position). In July, Metallica surprisingly dropped their lawsuit against Napster, perhaps sensing that their controversial stance did more bad than good to their "band of the people" image. In late summer 2001, the band's recording sessions (and all other band-related matters) were put on hold as Hetfield entered an undisclosed rehab facility for alcoholism and other addictions. He completed treatment and rejoined the band and they headed back into the studio in 2002 to record St. Anger, released in mid-2003. The recording of St. Anger was capped with the search for a permanent replacement for Newstead. After a long audition process, former Ozzy Osbourne/Suicidal Tendencies bass player Robert Trujillo was selected and joined Metallica for their 2003/2004 world tour. The growing pains the band experienced during the recording process of St. Anger were captured in the celebrated documentary Some Kind of Monster which saw theatrical release in 2004. BY big masoud
The band spent most of 2000 embroiled in controversy by spearheading a legal assault on Napster, a file-sharing service that allowed users to download music files from each other's computers. Aggressively targeting copyright infringement of their own material, the band notoriously had over 300,000 users kicked off the service, creating a widespread debate over the availability of digital music that raged for most of the year. In January 2001, bassist Jason Newsted announced his amicable departure from the band. Shortly after the band appeared at the ESPN awards in April of the same year, Hetfield, Hammett, and Ulrich entered the recording studio to begin work on their next album, with producer Bob Rock lined up to handle bass duties for the sessions (with rumors of former Ozzy Osbourne/Alice in Chains bassist Mike Inez being considered for the vacated position). In July, Metallica surprisingly dropped their lawsuit against Napster, perhaps sensing that their controversial stance did more bad than good to their "band of the people" image. In late summer 2001, the band's recording sessions (and all other band-related matters) were put on hold as Hetfield entered an undisclosed rehab facility for alcoholism and other addictions. He completed treatment and rejoined the band and they headed back into the studio in 2002 to record St. Anger, released in mid-2003. The recording of St. Anger was capped with the search for a permanent replacement for Newstead. After a long audition process, former Ozzy Osbourne/Suicidal Tendencies bass player Robert Trujillo was selected and joined Metallica for their 2003/2004 world tour. The growing pains the band experienced during the recording process of St. Anger were captured in the celebrated documentary Some Kind of Monster which saw theatrical release in 2004. BY big masoud
The cranberries
Combining the melodic jangle of post-Smiths indie-guitar pop with the lilting, trance-inducing sonic textures of late-'80s dream pop and adding a slight Celtic tint, the Cranberries became one of the more successful groups to emerge from the pre-Brit-pop U.K. indie scene of the early '90s. Led by vocalist Dolores O'Riordan, whose keening, powerful voice is the most distinctive element of the group's sound, the group initially made little impact in the United Kingdom. It wasn't until the lush ballad "Linger" became an American hit in 1993 that the band also achieved mass success in the U.K. Following the success of "Linger," the Cranberries quickly became international stars, as both their 1993 debut album, Everybody Else Is Doing It, So Why Can't We, and its 1994 follow-up, No Need to Argue, sold millions of copies and produced a string of hit singles. By the time of their third album, 1996's To the Faithful Departed, the group had added distorted guitars to its sonic palette and attempted to make more socially significant music, which resulted in a downturn in the band's commercial fortunes.
Originally, the Cranberries were a band called the Cranberry Saw Us. Brothers Noel and Mike Hogan (guitar and bass, respectively) formed the band in Limerick, Ireland, with drummer Fergal Lawler in 1990. Following the departure of the group's original singer, Niall, the trio placed an advertisement for a female singer. Dolores O'Riordan responded to the advertisement and auditioned by writing lyrics and melodies to some of the band's existing demos. When she returned with a rough version of "Linger," the group hired her on the spot. Shortly after she joined, the band recorded a demo tape which they sold in record stores throughout Ireland. After the original run of 300 copies sold out, the group truncated their name to the Cranberries and sent another demo tape, which featured early version of both "Linger" and "Dreams," to record companies throughout the U.K. The tape was made at Xeric studios, which was run by Pearse Gilmore, who would later become their manager. At the time the tape was made, all of the members were still in their late teens.
The demo tape earned the attention of both the U.K. press and record industry and there soon was a bidding war between major British record labels. Eventually, the group signed with Island Records. The Cranberries headed into the studio with Gilmore as their producer to record their first single, "Uncertain." The title proved to be prophetic, as the band did indeed sound ill at ease on the single, leading to poor reviews in the press, in addition to tensions between the group and Gilmore. Before they were scheduled to record their debut in 1992, the Cranberries discovered that Gilmore had signed a secret deal with Island to improve his studios. The tensions within the band became so great they nearly broke up. Instead, the band severed all relations with Gilmore, hired Geoff Travis of Rough Trade as their new manager, and hired Stephen Street, who had previously worked with the Smiths, as their new producer.
The Cranberries' debut album, Everybody Else Is Doing It, So Why Can't We?, was released in the spring of 1993, followed by a single of "Dreams." Neither the album or the single gained much attention, nor did a second single, "Linger." In the summer and fall of 1993, the band toured the United States, opening for The The and Suede, respectively; frequently, the Cranberries were given a friendlier reception than either of the headliners. The strong live shows led to MTV putting "Linger" into heavy rotation. By the end of the year, the single was on its way to becoming a crossover hit. Eventually, the single reached number eight on the U.S. charts, while the album went double platinum. Everybody Else and "Linger" began to take off in Britain in early 1994; the album eventually peaked at number one during the summer.
O'Riordan married the band's tour manager, Don Burton, in a much-publicized ceremony in July of 1994. The marriage, as well as the group's videos, emphasized the singer as the focal point of the band. O'Riordan's position in the group continued to rise with the fall release of the group's second album, No Need to Argue. Boasting a slightly harder, more streamlined sound, yet still produced by Stephen Street, the record debuted at number six on the U.S. charts and eventually outsold its predecessor; within a year it went triple platinum, spawning the number one modern rock hit "Zombie" and the number 11 "Ode to My Family."
During the tour for No Need to Argue, rumors began to circulate that O'Riordan was going to leave the band to pursue a solo career, all of which the band vehemently denied. Nevertheless, the rumors persisted until the band began recording their third album with producer Bruce Fairbairn, who had previously worked with Aerosmith. The resulting album, To the Faithful Departed, was a tougher, more rock-oriented album. Upon its spring 1996 release, the album entered the charts at number six, but its first single, "Salvation," failed to become a hit on par with "Zombie," "Linger," or "Ode to My Family." Consequently, the album slipped down the charts relatively quickly and only went platinum, which was slightly disappointing in light of its two predecessors' multi-platinum status. During the fall of 1996, the group canceled their Australian and European tour, sparking another round of rumors of whether O'Riordan was about to launch a solo career. In 1999, the group released Bury the Hatchet. by big masoud
Originally, the Cranberries were a band called the Cranberry Saw Us. Brothers Noel and Mike Hogan (guitar and bass, respectively) formed the band in Limerick, Ireland, with drummer Fergal Lawler in 1990. Following the departure of the group's original singer, Niall, the trio placed an advertisement for a female singer. Dolores O'Riordan responded to the advertisement and auditioned by writing lyrics and melodies to some of the band's existing demos. When she returned with a rough version of "Linger," the group hired her on the spot. Shortly after she joined, the band recorded a demo tape which they sold in record stores throughout Ireland. After the original run of 300 copies sold out, the group truncated their name to the Cranberries and sent another demo tape, which featured early version of both "Linger" and "Dreams," to record companies throughout the U.K. The tape was made at Xeric studios, which was run by Pearse Gilmore, who would later become their manager. At the time the tape was made, all of the members were still in their late teens.
The demo tape earned the attention of both the U.K. press and record industry and there soon was a bidding war between major British record labels. Eventually, the group signed with Island Records. The Cranberries headed into the studio with Gilmore as their producer to record their first single, "Uncertain." The title proved to be prophetic, as the band did indeed sound ill at ease on the single, leading to poor reviews in the press, in addition to tensions between the group and Gilmore. Before they were scheduled to record their debut in 1992, the Cranberries discovered that Gilmore had signed a secret deal with Island to improve his studios. The tensions within the band became so great they nearly broke up. Instead, the band severed all relations with Gilmore, hired Geoff Travis of Rough Trade as their new manager, and hired Stephen Street, who had previously worked with the Smiths, as their new producer.
The Cranberries' debut album, Everybody Else Is Doing It, So Why Can't We?, was released in the spring of 1993, followed by a single of "Dreams." Neither the album or the single gained much attention, nor did a second single, "Linger." In the summer and fall of 1993, the band toured the United States, opening for The The and Suede, respectively; frequently, the Cranberries were given a friendlier reception than either of the headliners. The strong live shows led to MTV putting "Linger" into heavy rotation. By the end of the year, the single was on its way to becoming a crossover hit. Eventually, the single reached number eight on the U.S. charts, while the album went double platinum. Everybody Else and "Linger" began to take off in Britain in early 1994; the album eventually peaked at number one during the summer.
O'Riordan married the band's tour manager, Don Burton, in a much-publicized ceremony in July of 1994. The marriage, as well as the group's videos, emphasized the singer as the focal point of the band. O'Riordan's position in the group continued to rise with the fall release of the group's second album, No Need to Argue. Boasting a slightly harder, more streamlined sound, yet still produced by Stephen Street, the record debuted at number six on the U.S. charts and eventually outsold its predecessor; within a year it went triple platinum, spawning the number one modern rock hit "Zombie" and the number 11 "Ode to My Family."
During the tour for No Need to Argue, rumors began to circulate that O'Riordan was going to leave the band to pursue a solo career, all of which the band vehemently denied. Nevertheless, the rumors persisted until the band began recording their third album with producer Bruce Fairbairn, who had previously worked with Aerosmith. The resulting album, To the Faithful Departed, was a tougher, more rock-oriented album. Upon its spring 1996 release, the album entered the charts at number six, but its first single, "Salvation," failed to become a hit on par with "Zombie," "Linger," or "Ode to My Family." Consequently, the album slipped down the charts relatively quickly and only went platinum, which was slightly disappointing in light of its two predecessors' multi-platinum status. During the fall of 1996, the group canceled their Australian and European tour, sparking another round of rumors of whether O'Riordan was about to launch a solo career. In 1999, the group released Bury the Hatchet. by big masoud
Alessandro Del piero
Alessandro Del Piero, Cavaliere (born November 9, 1974 in Conegliano) is an Italian football player. He is the captain of Juventus and a member of the Italian national side. He was a part of the 2006 FIFA World Cup winning side.
Usually, Del Piero plays as a support-striker and occasionally between the midfield and the strikers (in the hole), known in Italy as the "Trequartista" position. He is not the tallest of forwards, but is certainly one of the most creative forwards in the world, rather than being a "goal poacher."[3]
Del Piero is renowned for his deadly finishing, and the ease in which he dribbles past defenders. He is an expert in dead-ball situations as he is among the world's best in taking freekicks and penalty kicks.[4] Particularly famous for inside-curling, dipping shot that he takes in the area that is up to 10 yards outside the penalty box, which is known as "La Zona Del Piero" meaning "The Del Piero Zone."[5]
Usually, Del Piero plays as a support-striker and occasionally between the midfield and the strikers (in the hole), known in Italy as the "Trequartista" position. He is not the tallest of forwards, but is certainly one of the most creative forwards in the world, rather than being a "goal poacher."[3]
Del Piero is renowned for his deadly finishing, and the ease in which he dribbles past defenders. He is an expert in dead-ball situations as he is among the world's best in taking freekicks and penalty kicks.[4] Particularly famous for inside-curling, dipping shot that he takes in the area that is up to 10 yards outside the penalty box, which is known as "La Zona Del Piero" meaning "The Del Piero Zone."[5]
Xzibit
West Coast heavyweight Xzibit expanded his following with a series of increasingly superstar-laced albums beginning in the late '90s, ultimately aligning himself with Cali kingpin Dr. Dre at the decade's end. Years before, Xzibit began as a member of the Likwit Crew, a loose collective of West Coast rappers including tha Alkaholiks and King T. After touring with them in 1995, Loud Records released the feisty young rapper's debut album, At the Speed of Life (1996). The album became an underground hit, and when Xzibit released his follow-up, 40 Dayz & 40 Nightz (1998), he was again heralded one of the West Coast's most promising talents.
Xzibit's big break came when he joined Snoop Dogg for the Dre-produced coast-to-coast hit "Bitch Please." Next, he appeared on the posse song "Some L.A. Niggaz" from Dre's 2001 (1999) album, yet another high-profile appearance. By this time, Dre had obviously recognized Xzibit's talent and invited the young rapper to crisscross America during summer 2000 with the massive Up in Smoke tour, which featured Snoop, Eminem, and Ice Cube, among many others. That winter, Loud released Xzibit's biggest-budget album yet, the Dre-executive-produced Restless (2000), which boasted the single "X." The song became the rapper's biggest hit yet but didn't top the charts or break him into heavy rotation at either urban radio or MTV.
Two years later, Xzibit returned with another big-budget superstar-laced album, Man vs Machine (2002), and yet again he fell a bit short of mainstream success. Even so, Xzibit remained as hardcore as ever and continued to collaborate with his closest West Coast colleagues, primarily Ras Kass, Saafir, and tha Liks, along with bigger names like Snoop and Eminem. His allegiance to the West Coast and those he came up with continued to win him much respect from his fans, who remained dedicated if not massive in number. Weapons of Mass Destruction followed two years later. ~ Jason Birchmeier, All Music Guide
Xzibit's big break came when he joined Snoop Dogg for the Dre-produced coast-to-coast hit "Bitch Please." Next, he appeared on the posse song "Some L.A. Niggaz" from Dre's 2001 (1999) album, yet another high-profile appearance. By this time, Dre had obviously recognized Xzibit's talent and invited the young rapper to crisscross America during summer 2000 with the massive Up in Smoke tour, which featured Snoop, Eminem, and Ice Cube, among many others. That winter, Loud released Xzibit's biggest-budget album yet, the Dre-executive-produced Restless (2000), which boasted the single "X." The song became the rapper's biggest hit yet but didn't top the charts or break him into heavy rotation at either urban radio or MTV.
Two years later, Xzibit returned with another big-budget superstar-laced album, Man vs Machine (2002), and yet again he fell a bit short of mainstream success. Even so, Xzibit remained as hardcore as ever and continued to collaborate with his closest West Coast colleagues, primarily Ras Kass, Saafir, and tha Liks, along with bigger names like Snoop and Eminem. His allegiance to the West Coast and those he came up with continued to win him much respect from his fans, who remained dedicated if not massive in number. Weapons of Mass Destruction followed two years later. ~ Jason Birchmeier, All Music Guide
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